If this course is full and you’re prompted to join a wait list, feel free to contact instructor Lynn Hannings at email@example.com to discuss independent study opportunities during another week of the 2019 UNH VCI.
Rather than replacing a bow that needs repair, fix it! This workshop will cover routine repairs that will keep bows in good working order. Often bows that come in for rehairing also need repair; normal wear and tear from regular use. Since all these repairs can dramatically affect the weight and balance of the bow, it is critically important that bow shop employees understand the aspects of playability and the importance of meeting the physical and musical needs of the musicians entrusting them with their bows. Hands-on instruction will include cambering and straightening of the stick, eyelet replacement, tip replacement, pin repairs and winding/leather grip replacements. This workshop, in addition to the Bow Rehairing course, will best prepare you for meeting the needs of your clients who require bows that are well balanced, draw a good sound on their instruments and are comfortable in the hand, to most successfully make beautiful music and to avoid injury.
Classes meet online via Zoom from 10am-5pm.
Materials and Tools
You will need a number of student-level bows in need of repair (any condition, several if possible). A complete list of tools and suppliers is available at lahbows.com. If you have any questions about preparation for this workshop, you may contact Lynn Hannings at firstname.lastname@example.org.
While in High School, Lynn studied bow rehairing with John Roskoski of Wurlitzer, New York. Attending New England Conservatory as a bassist, she began her bow restoration and bow making studies with William Salchow; focusing on cello bows. In 1982, Ms. Hannings was awarded a Certificate for Eminent Playability for a Cello bow by the Violin Society of America. After private instruction both in NY and at the UNH Violin Craftsmanship Institute, Lynn became Mr. Salchow’s teaching assistant at the Institute for ten years before taking over classes upon his retirement.
She received her degree of Journeyman from the American Federation of Violin
and Bow Makers in 1984 and was elected to membership in 1985. In 1989, Ms. Hannings was granted both a Fulbright Scholarship and an Annette Kade Fellowship for the Advanced Study of the French School of Bowmaking in Paris, France with Bernard Millant. Lynn became a member of the Entente Internationale des Maitres Luthiers et Archetiers d’Art in 2000. In 2011, she received the International Society of Bassists Special Recognition Award for lutherie. Ms. Hannings has studied musician’s injuries and received a degree from the University of New England to better serve her clientele. As a conservatory trained musician, performer, trained bowmaker and restorer, she has both the perspective and expertise to work with individual musicians from around the world to meet their unique playing requirements.
At the UNH Violin Craftmanship Institute, the focus in bow classes is on training students in time honored methods in an atmosphere of support and encouragement. With hands-on class experience as well as individual attention in Rehair, Bow Repair I and Bow Repair II, students can, with practice and refinement of skills, provide for their musical communities either as self-employed business people or by becoming valuable assets to professional shops.
Ms. Hannings operates a thriving bow shop in her home in Freeport, Maine, splitting her shop time between making and restoration. She is also a member of the Portland Symphony Orchestra.
Amanda Kapousouz began studying the bow with Lynn Hannings in 2012. After several years as a student at the Violin Craftsmanship Institute, she began assisting Lynn for the rehair and repair classes. Amanda currently maintains a studio in Athens, Georgia where she services the many string players in her community: from students attending the University of Georgia to the eclectic mix of professional fiddlers.